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EQ for Dummies
By: Laiq Qureshi  &  Siddharth Bhatia   |   Mar 20, 2008

Sound. We hear it all around us, in the form of music (which our ears like) and noise (which they don't). You probably know what sound is, though a definition never hurt anyone: sound is the vibration of air molecules, which are transferred outwards from the source. Thus they are waves of sound (which we can’t see, only hear).

The number of times these waves move to and fro per second is called frequency; in my opinion the most important factor to understand. The normal sounds that we hear have many waves added (or subtracted), so that means each wave has a different frequency. They combine to form the music or noise that we hear. EQ is simply the equalization of the frequencies in your sound wave.

So what the heck is EQ?
There are two ways of looking at EQ. One is the important safety factor, which even the most ‘experienced’ sound engineers ignore. It’s an important factor, as the wrong EQ setting on your software or deck can give out harmful sound – it can even make you deaf in the long run. The right settings can make the music sound better, as in more pleasing and serve the purpose better.

Back to the F word, our ears are capable of hearing 20 Hz – 20KHz (Hertz is the unit to measure frequency of anything, not just sound). So as I said, any music we hear, or speech or instrument we listen to, will be a mixed sound wave comprising various ‘Hz’ of frequency, in different volumes. Sometimes low frequencies will be louder, sometime highs will be. The sound/music is ‘good’ or ‘pleasant’ when all the frequencies are well balanced, not necessarily equal in amounts, but just well balanced, known as good ‘tone’ in guitar parlance.



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Piyush, i think your question refers to auditory masking.
one way is to boost frequencies around the spiking frequencies in your song. upto 4.5 dB boost, in a region of 30 Hz around the signal should mask it reasonably well. Another way is to work out lower bands and boost them, the frequencies of which may be fractional multiples of the signal .But more on that later, we'll cover it in length.
cheers
Siddharth Bhatia @ Mar 24, 2008
Nice article. Thanks a lot for using a good application like Foobar2000 for illustrating EQ settings.
Gopala @ Mar 24, 2008
Awesome article. very well written Laiq, though i do agree with what pratibhu is saying that the studio does the EQ for you. it only depends on your speaker and of course room acoustics, the song actually generally comes sounding fine, especially if is from a renowned artist.
preet @ Mar 24, 2008
the best way to listen to any music would be listen with a flat EQ, because when these recordings are done in the studios by various experts and pros they make the various adjusments and settings as the artist of the music wants, so that the artists expression is conveyed as the artists want to, for example if one buys a metal album like Slipknot or Cradle Of Filth, they come with settings which make them sound loud and crisp and most trance and dance album have high low frequencies, so that we feel the punch. so it would be advisable to keep a flat curve, if one needs more punch then the best way is the up the lows by a wee bit. and the same for any other range, but i would advice one to listen to their music with a flat curve, with only surround options "on". try it and lemme know.
Pratibhu Roy Chowdhury @ Mar 23, 2008
acutally most of us are more concerned with listenin music in a good way .. and prefer a more generic setting which should sound good at every type of music .. jst add sometihig that should apply to all types of music (who has got time to twindle the eq's at every song) and also add something about placement of speakers/
Aytus @ Mar 23, 2008
This stuff is still Greek and Latin to me. Yes, I understood the concept but I guess one needs to able to feel the music and know what one wants and wants to hear to customize the music to ones liking. However I do have one query. How does one know that ones speaker system is not rendering the music correctly and one needs to manually tune and adjust it so that the content sounds right. Then again how do you know how some piece of a audio clip is "supposed" to sound.
Girish S @ Mar 21, 2008
great article !
Rajesh @ Mar 21, 2008
In applications of sound masking how do we decide which frequencies to fiddle with.
Piyush @ Mar 21, 2008
Good Stuff. Nicely written
Peer Staff @ Mar 21, 2008
Amazing article.. Very useful info.. Kudos Laiq for bringing up this one...
srikanth @ Mar 21, 2008
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